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Can chords be played on the flute?
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I have been playing the flute for some time now, and wanted to expand my knowledge of it. To do so, I started learning more about the standard music notation. While doing so, I ran into a concept called chords. I learned all about chords, and desired to play them on my flute, but couldn't think of a way to accomplish this. Is there a way to play chords on the flute?
chords flute
New contributor
add a comment |
I have been playing the flute for some time now, and wanted to expand my knowledge of it. To do so, I started learning more about the standard music notation. While doing so, I ran into a concept called chords. I learned all about chords, and desired to play them on my flute, but couldn't think of a way to accomplish this. Is there a way to play chords on the flute?
chords flute
New contributor
add a comment |
I have been playing the flute for some time now, and wanted to expand my knowledge of it. To do so, I started learning more about the standard music notation. While doing so, I ran into a concept called chords. I learned all about chords, and desired to play them on my flute, but couldn't think of a way to accomplish this. Is there a way to play chords on the flute?
chords flute
New contributor
I have been playing the flute for some time now, and wanted to expand my knowledge of it. To do so, I started learning more about the standard music notation. While doing so, I ran into a concept called chords. I learned all about chords, and desired to play them on my flute, but couldn't think of a way to accomplish this. Is there a way to play chords on the flute?
chords flute
chords flute
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New contributor
New contributor
asked 34 mins ago
XilpexXilpex
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The flute, like most wind instruments, is considered to be monophonic (as opposed to a piano, which is polyphonic), meaning you can only play one note at a time (within reasonable ability).
However, there exist "extended techniques" on the flute that go beyond the standard teachings. In this case, "multiphonics" (which is an odd term, since "multi-" is Latin while "phone" is Greek) allow you to play dyads (i.e. 2-note combinations, otherwise known as intervals) and even chords (3+ notes), based on the properties of harmonics and overtones.
The trouble is, these are very difficult and only possible with a certain selection of notes (depending on the fingerings), and you're probably not going to get a very pleasing tone on them.
There are several resources on this topic you can try to use. I'm not skilled with multiphonics, but For the Contemporary Flutist's suggested technique is to imagine your tone being a vowel - higher tones shape your embouchure like an "e", while lower tones need you to form an "o" - and try to play with two vowels at once, one at the top of your mouth and one at the bottom. The Virtual Flute suggests possible fingering combinations for optimal multiphonics.
New contributor
That was a fast accept. I think you should unaccept this and wait for other users to add their input, particularly since this isn't a topic I'm very experienced with.
– Bladewood
13 mins ago
Ok... I'll wait.
– Xilpex
1 min ago
add a comment |
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The flute, like most wind instruments, is considered to be monophonic (as opposed to a piano, which is polyphonic), meaning you can only play one note at a time (within reasonable ability).
However, there exist "extended techniques" on the flute that go beyond the standard teachings. In this case, "multiphonics" (which is an odd term, since "multi-" is Latin while "phone" is Greek) allow you to play dyads (i.e. 2-note combinations, otherwise known as intervals) and even chords (3+ notes), based on the properties of harmonics and overtones.
The trouble is, these are very difficult and only possible with a certain selection of notes (depending on the fingerings), and you're probably not going to get a very pleasing tone on them.
There are several resources on this topic you can try to use. I'm not skilled with multiphonics, but For the Contemporary Flutist's suggested technique is to imagine your tone being a vowel - higher tones shape your embouchure like an "e", while lower tones need you to form an "o" - and try to play with two vowels at once, one at the top of your mouth and one at the bottom. The Virtual Flute suggests possible fingering combinations for optimal multiphonics.
New contributor
That was a fast accept. I think you should unaccept this and wait for other users to add their input, particularly since this isn't a topic I'm very experienced with.
– Bladewood
13 mins ago
Ok... I'll wait.
– Xilpex
1 min ago
add a comment |
The flute, like most wind instruments, is considered to be monophonic (as opposed to a piano, which is polyphonic), meaning you can only play one note at a time (within reasonable ability).
However, there exist "extended techniques" on the flute that go beyond the standard teachings. In this case, "multiphonics" (which is an odd term, since "multi-" is Latin while "phone" is Greek) allow you to play dyads (i.e. 2-note combinations, otherwise known as intervals) and even chords (3+ notes), based on the properties of harmonics and overtones.
The trouble is, these are very difficult and only possible with a certain selection of notes (depending on the fingerings), and you're probably not going to get a very pleasing tone on them.
There are several resources on this topic you can try to use. I'm not skilled with multiphonics, but For the Contemporary Flutist's suggested technique is to imagine your tone being a vowel - higher tones shape your embouchure like an "e", while lower tones need you to form an "o" - and try to play with two vowels at once, one at the top of your mouth and one at the bottom. The Virtual Flute suggests possible fingering combinations for optimal multiphonics.
New contributor
That was a fast accept. I think you should unaccept this and wait for other users to add their input, particularly since this isn't a topic I'm very experienced with.
– Bladewood
13 mins ago
Ok... I'll wait.
– Xilpex
1 min ago
add a comment |
The flute, like most wind instruments, is considered to be monophonic (as opposed to a piano, which is polyphonic), meaning you can only play one note at a time (within reasonable ability).
However, there exist "extended techniques" on the flute that go beyond the standard teachings. In this case, "multiphonics" (which is an odd term, since "multi-" is Latin while "phone" is Greek) allow you to play dyads (i.e. 2-note combinations, otherwise known as intervals) and even chords (3+ notes), based on the properties of harmonics and overtones.
The trouble is, these are very difficult and only possible with a certain selection of notes (depending on the fingerings), and you're probably not going to get a very pleasing tone on them.
There are several resources on this topic you can try to use. I'm not skilled with multiphonics, but For the Contemporary Flutist's suggested technique is to imagine your tone being a vowel - higher tones shape your embouchure like an "e", while lower tones need you to form an "o" - and try to play with two vowels at once, one at the top of your mouth and one at the bottom. The Virtual Flute suggests possible fingering combinations for optimal multiphonics.
New contributor
The flute, like most wind instruments, is considered to be monophonic (as opposed to a piano, which is polyphonic), meaning you can only play one note at a time (within reasonable ability).
However, there exist "extended techniques" on the flute that go beyond the standard teachings. In this case, "multiphonics" (which is an odd term, since "multi-" is Latin while "phone" is Greek) allow you to play dyads (i.e. 2-note combinations, otherwise known as intervals) and even chords (3+ notes), based on the properties of harmonics and overtones.
The trouble is, these are very difficult and only possible with a certain selection of notes (depending on the fingerings), and you're probably not going to get a very pleasing tone on them.
There are several resources on this topic you can try to use. I'm not skilled with multiphonics, but For the Contemporary Flutist's suggested technique is to imagine your tone being a vowel - higher tones shape your embouchure like an "e", while lower tones need you to form an "o" - and try to play with two vowels at once, one at the top of your mouth and one at the bottom. The Virtual Flute suggests possible fingering combinations for optimal multiphonics.
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answered 15 mins ago
BladewoodBladewood
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That was a fast accept. I think you should unaccept this and wait for other users to add their input, particularly since this isn't a topic I'm very experienced with.
– Bladewood
13 mins ago
Ok... I'll wait.
– Xilpex
1 min ago
add a comment |
That was a fast accept. I think you should unaccept this and wait for other users to add their input, particularly since this isn't a topic I'm very experienced with.
– Bladewood
13 mins ago
Ok... I'll wait.
– Xilpex
1 min ago
That was a fast accept. I think you should unaccept this and wait for other users to add their input, particularly since this isn't a topic I'm very experienced with.
– Bladewood
13 mins ago
That was a fast accept. I think you should unaccept this and wait for other users to add their input, particularly since this isn't a topic I'm very experienced with.
– Bladewood
13 mins ago
Ok... I'll wait.
– Xilpex
1 min ago
Ok... I'll wait.
– Xilpex
1 min ago
add a comment |
Xilpex is a new contributor. Be nice, and check out our Code of Conduct.
Xilpex is a new contributor. Be nice, and check out our Code of Conduct.
Xilpex is a new contributor. Be nice, and check out our Code of Conduct.
Xilpex is a new contributor. Be nice, and check out our Code of Conduct.
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