Njé Mo Yé Contents The artwork See also Navigation menu4°01′58″N 9°44′53″E / 4.0329°N...


Culture in Douala


Douala languagesculptureDoualaCameroonKoko KomégnéKoko KomégnéSalon Urbain de Douala SUD 2007




Njé Mo Yé, Which means “c’est quoi, çà?” in Douala language, is a permanent sculpture located in Douala (Cameroon). It was created by Koko Komégné and inaugurated in 2007.

























Njé Mo Yé
Koko Komégné, Njé Mo Yé 01.jpg
Artist Koko Komégné
Year 2005
Dimensions 5 m × 2,5 m (200 in × 980 in)
Location Dernier poteau, New Bell Douala, Cameroon
Coordinates
4°01′58″N 9°44′53″E / 4.0329°N 9.748°E / 4.0329; 9.748Coordinates: 4°01′58″N 9°44′53″E / 4.0329°N 9.748°E / 4.0329; 9.748



Contents






  • 1 The artwork


  • 2 See also


    • 2.1 Bibliography


    • 2.2 Related articles







The artwork


Realized in tubes of painted iron 12 centimeters in diameter, Njé Mo Yé, which means what’s that? in the language of Douala, is a sculpture that represents and glorifies the couple.


The artist, Koko Komégné, who lived in the neighborhood of Dernier Poteau in Nkololoun from 1966 until 1984, remembers that at that time, this place marked an extremity of the city. He wished to testify his childhood gratitude by offering the sculpture on this site.


The sculpture is 5 meters high for a wingspan of 2,5 meters. It was inaugurated during the Salon Urbain de Douala SUD 2007.


in 2013 the Municipality of Douala, after a car accident that damaged the artwork, financed the restoration and repainting.







See also



Bibliography



  • Pensa, Iolanda (Ed.) 2017. Public Art in Africa. Art et transformations urbaines à Douala /// Art and Urban Transformations in Douala. Genève: Metis Presses. .mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"""""""'""'"}.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
    ISBN 978-2-94-0563-16-6

  • Babina, L., and Douala Bell, M. (eds.). (2007): Douala in Translation. A View of the City and Its Creative Transformative Potentials, Rotterdam, Episode Publishers.

  • Fokoua, S. O. (2012): «Doual’art. L’art dans la cité », Inter: Art actuel, n°111, p. 61-61.

  • Verschuren, K., X. Nibbeling and L. Grandin. (2012): Making Douala 2007-2103, Rotterdam, ICU art project.

  • Pensa, I. (2012): «Public Art and Urban Change in Douala». In Domus, [7 April 2012). http://www.domusweb.it/en/art/2012/04/09/public-art-and-urban-change-in-douala.html

  • Marta Pucciarelli (2014) Final Report. University of Applied Sciences and Arts of Southern Switzerland, Laboratory of visual culture. [1]



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