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Susan J. Napier
Susan Napier
Occupation	Professor, anime critic
Nationality	American
Subject	Japanese literature
Notable works	Anime from Akira to Princess Mononoke

Susan Jolliffe Napier (born October 11, 1955) is a Professor of the Japanese Program at Tufts University. She was formerly the Mitsubishi Professor of Japanese Literature and Culture at the University of Texas at Austin. She also worked as a visiting professor in the Department of East Asian Languages and Civilizations at Harvard University,^[1] and in cinema and media studies at University of Pennsylvania. Napier is an anime and manga critic.

Biography

Napier is the daughter of historian Reginald Phelps, a historian and educational administrator, and Julia Sears Phelps, both Harvard academics. She was raised in Cambridge, Massachusetts.^[2] Her neighbors included John Kenneth Galbraith, Julia Child, and Arthur Schlesinger, Jr.. She obtained her A.B., A.M., and PhD degrees from Harvard University.^[3]

In 1991 Napier published Escape from the Wasteland: Romanticism and Realism in the Fiction of Mishima Yukio and Oe Kenzaburo. Her second book, The Fantastic in Modern Japanese Literature: The Subversion of Modernity, followed in 1996.^[3]

Napier first became interested in anime and manga when a student showed her a copy of Akira. Napier then saw the film, which led to the creation of her third book, Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation,^[1][4] which was revised in 2005.^[5] Napier's From Impressionism To Anime: Japan As Fantasy And Fan Cult In The Western Imagination was published in 2007, which discusses anime fandom in greater depth.^[6][7]

Works

• 
  Napier, Susan J. (1996). The Fantastic in Modern Japanese Literature: The Subversion of Modernity. London: Routledge. p. 272. ISBN 978-0-415-12458-4..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"""""""'""'"}.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
  


• 
  Napier, Susan J (1998). "Vampires, Psychic Girls, Flying Women and Sailor Scouts". In Martinez, Dolores P. The Worlds of Japanese Popular Culture: Gender, Shifting Boundaries and Global Culture. Cambridge University Press. ISBN 0-521-63128-9.
  


• 
  Napier, Susan J. (2001). "Confronting Master Narratives: History As Vision in Miyazaki Hayao's Cinema of De-assurance". Positions east asia cultures critique. 9: 467–493. doi:10.1215/10679847-9-2-467.
  


• 
  Napier, Susan J. From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the West. Palgrave Macmillan. p. 272. ISBN 1-4039-6214-6.
  


• 
  Napier, Susan J (2006). Meet Me on the Other Side:Strategies of Otherness in Modern Japanese literature. London: Routledge. pp. 38–55. ISBN 978-0-415-36185-9.
  


• 
  Napier, Susan J. (2006). ""Excuse Me, Who Are You?": Performance, the Gaze, and the Female in the Works of Kon Satoshi". In Brown, Steven T. Cinema Anime: Critical Engagements with Japanese Animation. Palgrave Macmillen. ISBN 978-1-4039-8308-4.
  


• 
  Napier, Susan J. (2005). Anime from Akira to Howl’s Moving Castle: Experiencing Japanese Animation. Palgrave Macmillan. p. 384. ISBN 978-1-4039-7052-7.
  


• 
  Napier, Susan J. (2007). "When the Machine Stops: Fantasy, Reality, and Terminal Identity in Neon Genesis Evangelion and Serial Experiments: Lain". Robot Ghosts and Wired Dreams: Japanese Science Fiction from Origins to Anime. University of Minnesota Press. p. 269. ISBN 978-0-8166-4973-0.
  


• 
  Napier, Susan J. (2018). Miyazakiworld: A Life in Art. Yale University Press. p. 344. ISBN 978-0-300-22685-0.
  


• 
  

References

External links

• Tufts Faculty guide [1]
  


• 
  Susan J. Napier at Anime News Network's encyclopedia


• 
  Napier's review of Princess Mononoke at Nausicaa.net
  


• Palgrave Macmillan author profile

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