Crazy quilting Contents Embellishing History See also References Sources External links Navigation...

Baltimore albumCorded quiltingCrazy quiltingHawaiian quiltNakshi kanthaPatchwork quiltProvençal quiltsQuilt artQuiltingQuiltsRalli quiltSashiko quiltingTrapuntoAppliquéBroderie perseKhayamiyaMolaPenny rugRibbon workAIDS Memorial QuiltQuilt of BelongingChinese Souls #2International Honor QuiltGreat Lakes Quilt CenterInternational Quilt Study CenterMuseum of the American Quilter's SocietyQuilt IndexQuilters Hall of FameQuilt NationalQuilt TreasuresSan Jose Museum of Quilts & TextilesNational Museum of Australia - 1894 Autograph Quilt


Quilting


textile artquiltingfabricpatchworkmotifsvelvetsatintullesilkbuttonslaceribbonsbeadsembroideryHarper's BazaarEnglish embroideryJapanese artPhiladelphia Centennial Expositionsilk-screenedJapanese pottery







Crazy quilt by Granny Irwin, Museum of Appalachia, Norris, Tennessee


The term "crazy quilting" is often used to refer to the textile art of crazy patchwork and is sometimes used interchangeably with that term. Crazy quilting does not actually refer to a specific kind of quilting (the needlework which binds two or more layers of fabric together), but a specific kind of patchwork lacking repeating motifs and with the seams and patches heavily embellished. A crazy quilt rarely has the internal layer of batting that is part of what defines quilting as a textile technique.





Rebecca Palmer. Crazy Quilt, 1884. Silk, velvet. Brooklyn Museum





Tamar Horton Harris North. “Quilt (or decorative throw), Crazy pattern”. ~1877. 54 ½ × 55 in. Metropolitan Museum of Art.




Contents






  • 1 Embellishing


  • 2 History


  • 3 See also


  • 4 References


  • 5 Sources


  • 6 External links





Embellishing


Crazy quilts differ from "regular" quilts in other ways as well. Because the careful geometric design of a quilt block is much less important in crazy quilts, the quilters are able to employ much smaller and more irregularly shaped pieces of fabric. In comparison to standard quilts, crazy quilts are far more likely to use exotic pieces of fabric, such as velvet, satin, tulle, or silk, and embellishments such as buttons, lace, ribbons, beads, or embroidery. Crazy quilting as a textile art is extremely creative and free-flowing by nature, and crazy quilters will often learn as much about specific embellishments as they will about crazy quilting itself.


Crazy quilts are extremely labor-intensive. A Harper's Bazaar article from 1884 estimated that a full-size crazy quilt could take 1,500 hours to complete.[1]



History


Crazy quilts became popular in the late 1800s, likely due to the English embroidery and Japanese art that was displayed at the Philadelphia Centennial Exposition. American audiences were drawn to the satin stitches used in English embroidery, which created a painterly surface, which is reflected in many Crazy Quilts. The displays shown at the Japanese pavilion of silk-screened work and Japanese pottery with a cracked-glaze inspired the American audiences. Similar aesthetics began to show up in Crazy Quilts, including unique patterns, and stitching that resembled spider webs and fans.[2]


Crazy quilting rapidly became a national fashion amongst urban, upper-class women, who used the wide variety of fabrics that the newly industrialized 19th century textile industry offered to piece together single quilts from hundreds of different fabrics. Long after the style had fallen out of fashion amongst urban women, it continued in rural areas and small towns, whose quilters adopted the patterns of the urban quilts but employed sturdier, more practical fabrics, and dropped the earlier quilts' ornate embroidery and embellishment.[3]



See also


  • Quilt


References





  1. ^ "What Makes a Crazy Quilt?". The International Quilt Study Center & Museum. The International Quilt Study Center & Museum. Archived from the original on 2015-04-12. Retrieved 11 April 2015..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"""""""'""'"}.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}


  2. ^ Workt By Hand Hidden Labor and Historical Quilts Archived 2014-05-23 at the Wayback Machine. Edited by Katherine Morris. Brooklyn Museum. 2012.


  3. ^ "The Idea of Fairyland". The International Quilt Study Center & Museum. The International Quilt Study Center & Museum. Archived from the original on 2015-04-12. Retrieved 11 April 2015.




Sources



  • Brick, Cindy (2008). Crazy Quilts: History, Techniques, Embroidery Motifs. Voyageur Press.
    ISBN 978-0-7603-3237-5.

  • Dabbs, Christine (2000). Crazy Quilting: Heirloom Quilts: Traditional Motifs and Decorative Stitches. Rutledge Hill Press.
    ISBN 1-55853-694-9.

  • Montano, Judith Baker (1995). Elegant Stitches: An Illustrated Stitch Guide and Source Book of Inspiration. C&T Publishing.
    ISBN 0-914881-85-X.



External links


Examples of ways of combining patches in a crazy quilt:


  • 1887: Crazy Blocks al dente

Learn more about crazy quilt history:




  • Crazy Quilts in America at the Wayback Machine (archived February 5, 2012)

  • Crazy Quilting History a Victorian Craze

  • The History of Crazy Quilts


Crazy quilt exhibitions and examples from museums:



  • Crazy quilts at the Smithsonian’s National Museum of American History

  • Crazy quilts at The Metropolitan Museum of Art

  • A Fairyland of Fabrics: The Victorian Crazy Quilt at The International Quilt Study Center & Museum


Modern crazy quilting:


  • Modern Crazy Quilting and Restoration







Popular posts from this blog

Why do type traits not work with types in namespace scope?What are POD types in C++?Why can templates only be...

Will tsunami waves travel forever if there was no land?Why do tsunami waves begin with the water flowing away...

Should I use Docker or LXD?How to cache (more) data on SSD/RAM to avoid spin up?Unable to get Windows File...